Another big-shot movie for you, straight from the Hollywood Monster’s gaping maw: Men In Black II.
Of sequel movies, there are two categories: those that make sense without seeing their predecessor and those that do not. Men In Black II is of the lattermost category - if you didn’t do your homework, you won’t get most of this movie. I can say this in all certainty because I’ve seen the first one and my girlfriend, whom I saw this with, has not, so I know both sides of the coin.
But let’s take a moment to talk about previews.
Is it just me, or are there getting to be more and more of them? Our movie was supposed to start at 4:30, and it was ten minutes past 5 by my watch before they even started that crappy computer animation that tells you to turn off your phones and stuff. And most of the ads weren’t even for movies! When did this trend start, by whom, and in what way must they be made to suffer for this? One was an ad for gratitude. Gratitude! There’s a really clever and scathing joke I could make about that, but I can’t think of it just now, so I’ll leave you to your imaginations.
I should note that one ad was for the Crocodile Hunter and his new movie, which I might have to review in order to see just how mercilessly hard I can slam a movie. But anyway, Back to MIIB, as it’s been advertised everywhere in sight and I finally had to see it. (And I mean literally everywhere; I was sitting at a bus stop the other day, and the Burger King across the street was waving banners, there was a big poster ad on the stop, two people walked by wearing the t-shirt, and the bus that picked me up had the same slogan on the side. We drove past four billboards, every other bus stop had the poster, and two teenagers behind me were even talking about it. I’m not kidding. So trust me when I say that it’s everywhere.)
I loved the first movie. The first movie was clever, well-written, and funny. I liked the premise and I liked the characters, and I wanted so badly for this movie to be good.
But in spite of all the hype, it sucked. Bad.
Here are some spoilers, just to ensure you don’t see this movie. Agent Kay, whom everybody in the audience has rightly dubbed Tommy Lee Jones, has been neuralized, stripping him of both his memories and his coolness. Agent Jay, aka Will Smith, is now a loner who has a habit of dumping partners like morning-after prom dates. When Tommy Lee gets his memory back - which he does waaaay too late in the movie for anyone’s liking - Will goes from being Dr. Badass Himself, right back to being the upstart rookie he was before. So, what, five years of training are kaput as soon as his buddy shows up?
In the last movie, Tommy Lee was cool. In this movie, he’s a sissy. In the last movie, Will was funny. In this movie, he’s a jerk.
Please, don’t see this movie.
Is it pretty? Yes. CGI just keeps getting more and more advanced, and able to blend with live actors and settings more and more seamlessly. In between the product placement that makes one want to vomit are some very cool aliens indeed, most of which I’d love to hear a little backstory on. But ‘tis all for naught, for only one alien matters in this flick: Lara Flynn Boyle, aka Lara Flynn Boyle. She’s just dandy as the villain - she does vamp quite well. I was crushed to learn that those weren’t her real breasts, but delighted to learn that those weren’t her real tentacles, either.
The main waterloo of the whole mess is that most of it didn’t make any sense: the crux of the plot was that if this one object, the Light Of The Somebodyorothers, wasn’t off the planet by a certain time, it would explode, destroying the planet. But nobody every bothered to explain WHY it needed to be off the planet by that time. Not that I’m tossing and turning at night, it would just be nice to know. Tommy Lee leads us through a series of clues he left himself to find this object, since he neuralized it out of his memory. But if he left all these clues so he could remember, what’s the point, other than to eat up some screen time? He seems to do this a lot, actually. And we are grateful, because at least we’re not having to watch the worms.
Yes, the Coffee Worms get a larger part in this one. Much larger. They’re just as ugly, stupid and all-around bad as you were afraid they would be.
Don’t get me started on the princess chick.
All in all, this really felt more like an episode than a sequel. Oh, the last episode, during Sweeps Week, where they pull out all the stops to get you to watch and explained all the stuff they could, to be sure. Yet it still retained more sequel stereotypes than you’d think possible. I’m not kidding: return from retirement, old girlfriend, long lost daughter who turns out to be royalty, minor characters divulged and explored within an inch of their lives, superpowers. What? No smarmy, precocious kid?
There’s a dog that not only talks, but sings.
It’s probably no surprise that the only other people in the theater, all ten or so of them, were by now mouthing the dialect along with the characters - you know the kind of people I mean. They downloaded the script six months before the movie came out, they’ve seen it three times every afternoons since it opened, and they stay till the very very VERY end of the film to applaud the “Local Ugly Man #1” and the “Dolly Gaffer”, which sounds more like an aging prostitute than a position in the filmmaking industry.
We need to send a message to Hollywood that it is not okay to make movies this bad and expect us to see them because Tommy Lee and Will and Lara are all in it. Do not see this movie, and do not let anyone you know see this movie. The Crannakians - small, hamster-like aliens from Crannakia - who have to clean up your popcorn at the end of the movie for minimum wage thank you.
Of sequel movies, there are two categories: those that make sense without seeing their predecessor and those that do not. Men In Black II is of the lattermost category - if you didn’t do your homework, you won’t get most of this movie. I can say this in all certainty because I’ve seen the first one and my girlfriend, whom I saw this with, has not, so I know both sides of the coin.
But let’s take a moment to talk about previews.
Is it just me, or are there getting to be more and more of them? Our movie was supposed to start at 4:30, and it was ten minutes past 5 by my watch before they even started that crappy computer animation that tells you to turn off your phones and stuff. And most of the ads weren’t even for movies! When did this trend start, by whom, and in what way must they be made to suffer for this? One was an ad for gratitude. Gratitude! There’s a really clever and scathing joke I could make about that, but I can’t think of it just now, so I’ll leave you to your imaginations.
I should note that one ad was for the Crocodile Hunter and his new movie, which I might have to review in order to see just how mercilessly hard I can slam a movie. But anyway, Back to MIIB, as it’s been advertised everywhere in sight and I finally had to see it. (And I mean literally everywhere; I was sitting at a bus stop the other day, and the Burger King across the street was waving banners, there was a big poster ad on the stop, two people walked by wearing the t-shirt, and the bus that picked me up had the same slogan on the side. We drove past four billboards, every other bus stop had the poster, and two teenagers behind me were even talking about it. I’m not kidding. So trust me when I say that it’s everywhere.)
I loved the first movie. The first movie was clever, well-written, and funny. I liked the premise and I liked the characters, and I wanted so badly for this movie to be good.
But in spite of all the hype, it sucked. Bad.
Here are some spoilers, just to ensure you don’t see this movie. Agent Kay, whom everybody in the audience has rightly dubbed Tommy Lee Jones, has been neuralized, stripping him of both his memories and his coolness. Agent Jay, aka Will Smith, is now a loner who has a habit of dumping partners like morning-after prom dates. When Tommy Lee gets his memory back - which he does waaaay too late in the movie for anyone’s liking - Will goes from being Dr. Badass Himself, right back to being the upstart rookie he was before. So, what, five years of training are kaput as soon as his buddy shows up?
In the last movie, Tommy Lee was cool. In this movie, he’s a sissy. In the last movie, Will was funny. In this movie, he’s a jerk.
Please, don’t see this movie.
Is it pretty? Yes. CGI just keeps getting more and more advanced, and able to blend with live actors and settings more and more seamlessly. In between the product placement that makes one want to vomit are some very cool aliens indeed, most of which I’d love to hear a little backstory on. But ‘tis all for naught, for only one alien matters in this flick: Lara Flynn Boyle, aka Lara Flynn Boyle. She’s just dandy as the villain - she does vamp quite well. I was crushed to learn that those weren’t her real breasts, but delighted to learn that those weren’t her real tentacles, either.
The main waterloo of the whole mess is that most of it didn’t make any sense: the crux of the plot was that if this one object, the Light Of The Somebodyorothers, wasn’t off the planet by a certain time, it would explode, destroying the planet. But nobody every bothered to explain WHY it needed to be off the planet by that time. Not that I’m tossing and turning at night, it would just be nice to know. Tommy Lee leads us through a series of clues he left himself to find this object, since he neuralized it out of his memory. But if he left all these clues so he could remember, what’s the point, other than to eat up some screen time? He seems to do this a lot, actually. And we are grateful, because at least we’re not having to watch the worms.
Yes, the Coffee Worms get a larger part in this one. Much larger. They’re just as ugly, stupid and all-around bad as you were afraid they would be.
Don’t get me started on the princess chick.
All in all, this really felt more like an episode than a sequel. Oh, the last episode, during Sweeps Week, where they pull out all the stops to get you to watch and explained all the stuff they could, to be sure. Yet it still retained more sequel stereotypes than you’d think possible. I’m not kidding: return from retirement, old girlfriend, long lost daughter who turns out to be royalty, minor characters divulged and explored within an inch of their lives, superpowers. What? No smarmy, precocious kid?
There’s a dog that not only talks, but sings.
It’s probably no surprise that the only other people in the theater, all ten or so of them, were by now mouthing the dialect along with the characters - you know the kind of people I mean. They downloaded the script six months before the movie came out, they’ve seen it three times every afternoons since it opened, and they stay till the very very VERY end of the film to applaud the “Local Ugly Man #1” and the “Dolly Gaffer”, which sounds more like an aging prostitute than a position in the filmmaking industry.
We need to send a message to Hollywood that it is not okay to make movies this bad and expect us to see them because Tommy Lee and Will and Lara are all in it. Do not see this movie, and do not let anyone you know see this movie. The Crannakians - small, hamster-like aliens from Crannakia - who have to clean up your popcorn at the end of the movie for minimum wage thank you.
